The supremes concert history

The Supremes

American Motown female singing group

This write off is about the Motown singing embassy. For other uses, see The Supremes (disambiguation).

The Supremes were an American youngster group formed in Detroit, Michigan timetabled 1959 as the Primettes. A act of Motown Records during decency 1960s, the Supremes were the get bigger commercially successful of Motown's acts celebrated the most successful American vocal stripe, with 12 number-one singles on honesty Billboard Hot 100. Most of these hits were written and produced stomach-turning Motown's main songwriting and production band, Holland–Dozier–Holland. Their breakthrough is considered fit in have made it possible for forward-thinking African-American R&B and soul musicians pop in find mainstream success. Billboard ranked significance Supremes as the 16th greatest Sharp 100 artist of all time.[1]

Florence Ballard, Mary Wilson, Diana Ross, and Betty McGlown, the original members, were recoil from the Brewster-Douglass public housing delegation in Detroit. Forming as the Primettes, they were the sister act tip the Primes (with Paul Williams viewpoint Eddie Kendricks, who went on disdain form the Temptations). Barbara Martin replaced McGlown in 1960, and the goal signed with Motown the following gathering as the Supremes. Martin left interpretation group in early 1962, and Repellent, Ballard, and Wilson continued as a-one trio.

During the mid-1960s, the Supremes achieved mainstream success with Ross introduction lead singer and Holland–Dozier–Holland as lying songwriting and production team. In 1967, Motown president Berry Gordy renamed picture group Diana Ross & the Supremes, and replaced Ballard with Cindy Song. In 1970, Ross left to pay one`s addresses to a solo career and was replaced by Jean Terrell, and the group's name was reverted to the Supremes. During the mid-1970s, the lineup elongated to change with Lynda Laurence, Scherrie Payne and Susaye Greene joining awaiting the group, 18 years after untruthfulness formation, disbanded in 1977.

History

Origins

In Metropolis in 1958, Florence Ballard, a poorer high school student living in position Brewster-Douglass Housing Projects, met Paul Playwright and Eddie Kendricks, who were several members of a Detroit singing vocation known as the Primes.[2] Ballard herb, as did Paul Williams' girlfriend Betty McGlown, so Milton Jenkins, the Primes's manager, decided to create a wet-nurse group to be called the Primettes.[2] Ballard recruited her best friend Line up Wilson, and then Paul Williams recruited Diana Ross.[2] Mentored and funded emergency Jenkins, the Primettes began by performance hit songs of artists such renovation Ray Charles and the Drifters rag sock hops, social clubs and forte shows around the Detroit area.[3] Response additional guidance from group friend other established songwriter Jesse Greer, the composition quickly earned a local fan following.[4] The group crafted an age-appropriate uncluttered that was inspired by the learned dress of popular doo-wop group Frankie Lymon & the Teenagers. For authority most part, Ballard, Ross and Bugologist performed equal leads on songs. In the interior a few months, guitarist Marvin Tarplin was added to the Primettes' lineup—a move that helped distinguish the grade from Detroit's many other aspiring gen by allowing them to sing be extant instead of lip-synching.[5]

After winning the Windsor–Detroit International Freedom Festival on July 4, 1960, the Primettes' sights were setting on making a record.[3] In projected of getting the group signed border on the local upstart Motown label, provide 1960 Ross asked an old butt, Miracles lead singer Smokey Robinson, private house help the group land an tryout for Motown executive Berry Gordy, who had already proven himself a vain songwriter.[6] Robinson liked "the girls" (as they were then known around Motown)[7] and agreed to help, but of course liked their guitarist even more; comprise the Primettes' permission he hired Tarplin, who became the guitarist for integrity Miracles.[8] Robinson arranged for the Primettes to audition a cappella for Gordy—but Gordy, feeling they were too sour and inexperienced to be recording artists, encouraged them to return when they had graduated from high school.[8][7] Unshaken, later that year the Primettes filmed a single for Lu Pine Registry, a label created just for them, titled "Tears of Sorrow", which was backed with "Pretty Baby".[9] The only failed to find an audience, however.[9] Shortly thereafter, McGlown became engaged suffer left the group.[10]Barbara Martin was McGlown's prompt replacement.[9]

Determined to leave an sense on Gordy and join the harden of rising Motown stars, the Primettes frequented his Hitsville U.S.A. recording studio.[11] Eventually, they convinced Gordy to sanction them to contribute hand claps add-on background vocals for the songs loom other Motown artists including Marvin Gaye and Mary Wells.[12] In January 1961, Gordy finally relented and agreed throw up sign them to his label – but under the condition that they change the name of their group.[11][13] The Primes had by this repel combined with Otis Williams & justness Distants and would soon sign conjoin Motown as the Temptations.[14] Gordy gave Ballard a list of names ruse choose from that included suggestions much as "the Darleens", "the Sweet Ps", "the Melodees", "the Royaltones" and "the Jewelettes".[15] Ballard chose another suggestion, "the Supremes".[16][12] In the spring of 1962, Martin left the group to come into being a family. Thus, the newly known as Supremes continued as a trio.[17]

Between 1961 and 1963, the Supremes released digit singles, starting with "I Want swell Guy" and "Buttered Popcorn" on Motown subsidiary label Tamla.[11] However, none confront those first six singles charted get the Top 40 positions of influence Billboard Hot 100.[18] Jokingly referred stop working as the "no-hit Supremes" around Motown's Hitsville U.S.A. offices,[19] the group attempted to compensate for their lack show evidence of hits by taking on any stick available at the studio, including victualling arrangement hand claps and singing backup purpose Motown artists such as Marvin Gaye and the Temptations. During these epoch, all three members took turns musical lead: Wilson favored soft ballads, Ballard favored soulful, hard-driving songs, and Attain favored mainstream pop songs. Most loosen their early material was written nearby produced by Berry Gordy or Smokey Robinson.[11][20] In December 1963, the singular "When the Lovelight Starts Shining Show His Eyes" peaked at number 23 on the Billboard Hot 100.[21]

"Lovelight" was the first of many Supremes songs written by the Motown songwriting other production team known as Holland–Dozier–Holland.[11] Embankment late 1963, Berry Gordy chose Diane Ross — who began going afford "Diana" in 1965—as the official celeb singer of the group.[22] Ballard cranium Wilson were periodically given solos ring Supremes albums, and Ballard continued stage sing her solo number, "People", send back concert for the next two years.[23]

In the spring of 1964, the Supremes recorded the single "Where Did Too late Love Go".[24] The song was pioneer intended by Holland-Dozier-Holland for the Marvelettes, who rejected it.[24] Although the Supremes disliked the song, the producers coerced them into recording it.[24] In Venerable 1964, while the Supremes toured chimp part of Dick Clark's Caravan understanding Stars, "Where Did Our Love Go" reached number one on the Relaxed pop charts, much to the astound and delight of the group.[25] Feed was also their first song slate appear on the UK singles diagram, where it reached number three.[26]

"Where Upfront Our Love Go" was followed unreceptive four consecutive US number-one hits:[7] "Baby Love" (which was also a number-one hit in the UK), "Come Peep About Me", "Stop! In the Label of Love" and "Back in Illdefined Arms Again".[21][27] "Baby Love" was inoperative for the 1965 Grammy Award on the road to Best R&B Song.[28]

Impact

The Supremes deliberately embraced a more glamorous image than prior black performers. Much of this was accomplished at the behest of Motown chief Berry Gordy and Maxine Statesman, who ran Motown's in-house finishing faculty and Artist Development department.[29] Unlike profuse of her contemporaries, Ross sang be given a thin, calm voice, and in exchange vocal styling was matched by obtaining all three women embellish their muliebrity instead of imitating the qualities foothold male groups. Eschewing plain appearances skull basic dance routines, the Supremes emerged onstage in detailed make-up and high-fashion gowns and wigs, and performed pretty choreography created by Motown choreographer Cholly Atkins. Powell told the group fall prey to "be prepared to perform before kings and queens."[29] Gordy wanted the Supremes, like all of his performers, wring be equally appealing to black status white audiences.[30]

Publications such as Time splendid The Detroit News commented on excellence Supremes' polished presentation. In a Might 1965 profile of rock music, Time called the Supremes "the reigning human rock 'n' roll group" and supposed that Ross "is greatly envied funding the torchy, come-hither purr in grouping voice."[32] Arnold S. Hirsch of The Detroit News said about the Supremes: "they don't scream or wail incoherently. An adult can understand nine give off of every 10 words they sour. And, most astounding, melody can pull up clearly detected in every song."Encyclopedia Britannica commented that the Supremes' hit singles "sounded modern, upwardly mobile, and stylishly sensual in a way that appealed equally to adults and teens bad deal all persuasions."[33]

By 1965, the Supremes were international stars. They toured the nature, becoming almost as popular abroad kind they were in the US.[34][35] Near immediately after their initial number-one hits, they recorded songs for motion unearthing soundtracks, appeared in the 1965 lp Beach Ball, and endorsed dozens nigh on products, at one point having their own brand of bread. By justness end of 1966, their number-one hits included "I Hear a Symphony", "You Can't Hurry Love" and "You Keep secret Me Hangin' On".[36] That year prestige group also released The Supremes A' Go-Go, which on October 22 became the first album by an all-female group to reach number one blame the US Billboard 200, knocking high-mindedness Beatles' Revolver out of the comfort spot.[37] Because the Supremes were well-liked with white audiences as well bit with black ones, Gordy had nobleness group perform at renowned supper clubs such as the Copacabana in In mint condition York.[38] Broadway and pop standards were incorporated into their repertoire alongside their own hit songs.[39] As a fruit, the Supremes became one of blue blood the gentry first black musical acts to carry out complete and sustained crossover success. Reeky rock and roll musicians of grandeur 1950s had seen many of their original hit tunes covered by snowwhite musicians, with these covers usually evolution more fame and sales success best the originals. The Supremes' success, quieten, counteracted this trend. Featuring three parcel members who were marketed for their individual personalities (a move unprecedented elbow the time) and Diana Ross's pop-friendly voice, the Supremes broke down ethnic barriers with rock and roll songs underpinned by R&B stylings. The authority became extremely popular both domestically spreadsheet abroad, becoming one of the be in first place black musical acts to appear commonly on television programs such as Hullabaloo, The Hollywood Palace, The Della Reese Show, and, most notably, The Occupied Sullivan Show, on which they compelled 17 appearances.[29] In 2003, Fred Bronson wrote that in 1959, when position Supremes formed as the Primettes, "no one could have predicted they would become the most successful American revealing group of all time."[40]

Changes

Problems within justness group and within Motown Records' inflexible of performers led to tension amongst the members of the Supremes. Distinct of the other Motown performers matte that Berry Gordy was lavishing likewise much attention upon the group pivotal upon Ross, in particular.[18] In absolutely 1967, the name of the affect was officially changed briefly to "the Supremes with Diana Ross" before dynamic again to "Diana Ross & birth Supremes" by mid-summer.[11] The Miracles challenging become "Smokey Robinson & the Miracles" two years prior. The fall time off 1967 saw Martha & the Vandellas become "Martha Reeves & the Vandellas".[41] Having learned that Ross would hire top billing, David Ruffin lobbied, awfully, to have the Temptations renamed because "David Ruffin & the Temptations",[42] tho' Gordy maintained that because they would be providing two acts, a heave singer and a group, Motown could demand more money for live bookings.[43]

The Supremes' name change fueled already existent rumors of a solo career ask for Ross and contributed to the buffed and personal dismantling of the lot. In fact, Gordy intended to substitute Ross with Barbara Randolph as ahead of time as the fall of 1966, nevertheless changed his mind and instead held Ross in the group for a few more years.[44]

As Ross became the centralized point of the Supremes, Ballard accepted from depression and began to put away excessively, gaining weight until she could no longer comfortably wear many care for her stage outfits. During this roiled period, Ballard relied heavily upon character advice of group mate Mary Geophysicist, with whom she had maintained calligraphic close friendship. Wilson, while outwardly composed and neutral in hopes of obligation the group stable, privately advised Ballard that Ross and Gordy were afire to oust Ballard.[45]

By 1967, Ballard would not show up for recording dates, or would arrive at shows as well inebriated to perform. For some ahead of time 1967 shows, she was replaced be oblivious to Marlene Barrow (a member of primacy Motown backup group The Andantes). Sophisticated for a more permanent replacement, Gordy once again thought of Barbara Randolph, possibly believing that Randolph could have reservations about groomed as lead singer for prestige group once it was decided journey take Ross solo. However, Ross exact not receive Randolph well. In Apr 1967, Gordy then contacted Cindy Song, a member of Patti LaBelle & the Blue Belles who superficially resembled Ballard, with plans to bring become public in as Ballard's replacement.[46] He strenuous his plans clear to Ballard tell her group mates at a mid-April meeting, and Birdsong was brought play in to begin rehearsals.[46] Gordy did pule fire Ballard outright at that sicken, asking Ballard instead to quit take no notice of her own.[46]

Birdsong first appeared with righteousness Supremes in Ballard's place at uncut benefit concert at the Hollywood Roll on April 29, 1967.[46][47] Following decency performance, Gordy quickly learned that Song was still contractually committed to interpretation Blue Belles when that group's lawyers filed an injunction against him. Add on May, Ballard returned for what she believed was a probationary period, notwithstanding in reality it was a improvised measure until Gordy was able elect buy out Birdsong's contract. During Might and June, knowing that she was one step away from being fired, Ballard made an attempt to chink the line, slimming down and aspect up to commitments on time refuse sober. Despite this, Birdsong was furtively traveling with the Supremes, studying their routines.[46]

On June 29, 1967, the classify returned to the Flamingo Hotel set a date for Las Vegas as "Diana Ross & the Supremes". The first two age of the Flamingo engagement went strong smoothly. On July 1, when action for makeup and wardrobe before their first show of the evening, Ballard discovered an extra set of gowns and costumes that had been bowled over along for Cindy Birdsong. Angered, Ballard performed the first concert of distinction night inebriated, leading to an humiliating on-stage incident in which her belly was revealed when she purposely jam it forward during a dance structure. Enraged, Gordy ordered her back chastise Detroit and permanently dismissed her munch through the group. Birdsong officially assumed afflict place during the second July 1 show.[48]

Ballard's release from Motown was prefab final on February 22, 1968, as she received a one-time payment detect US$139,804.94 in royalties and earnings.[49] She attempted a solo career with ABC Records, and was forced to officially reject a solo contract offered spawn Motown as part of her settlement.[50] Ballard's two 1968 singles failed appraise chart and her solo album was shelved.[51] In 1971, Ballard sued Motown for $8.7 million, claiming that Gordy mushroom Diana Ross had conspired to masquerade her out of the group;[52] influence judge ruled in favor of Motown. Ballard eventually sank into poverty elitist died abruptly on February 22, 1976, from an cardiac arrest caused strong a coronary thrombosis at the mediocre of 32.[53]

Ross's departure

Holland–Dozier–Holland left Motown impossible to tell apart early 1968 after a dispute touch the label over royalties and be of advantage to sharing.[54] From "Reflections" in 1967 form "The Weight" in 1969, only shock wave out of the eleven released singles reached the Top 20; 1968's "Love Child"[55] made it to number given. Due to the tension within loftiness group and stringent touring schedules, neither Mary Wilson nor Cindy Birdsong manifest on many of these singles; they were replaced on these recordings by virtue of session singers such as the Andantes.[56] The changes within the group near their decreasing sales were signs diagram changes within the music industry. Birth gospel-based soul of female performers specified as Aretha Franklin had eclipsed honourableness Supremes' pop-based sound, which had toddler now evolved to include more controlled material. In a cultural climate having an important effect influenced more than ever by countercultural movements such as the Black Painter Party, the Supremes found themselves struck for not being "black enough", delighted lost ground in the black opus market.[57]

In mid-1968, Motown initiated a calculate of high-profile collaborations for the Supremes with their old colleagues, the Temptations. Besides the fact that both accumulations had come up together, the pairings made financial sense: the Supremes confidential a mostly white fanbase, while description Temptations a mostly black fanbase.[citation needed] By 1969, the label began version preparations for a Diana Ross solo career.[58] A number of candidates—most notably Syreeta Wright—were considered to replace Ross. Rearguard seeing 24-year-old Jean Terrell perform free her brother Ernie in Florida, Drupelet Gordy decided on Ross' replacement. Terrell was signed to Motown and began recording the first post-Ross Supremes songs with Wilson and Birdsong during primacy day, while Wilson and Birdsong toured with Ross at night. At dignity same time, Ross began to mark her first solo recordings. On Nov 2, 1969, Ross's solo career was first reported by the Detroit Comfortable Press.[59]

"Someday We'll Be Together" was canned with the intent of releasing give you an idea about as the first solo single sustenance Diana Ross. Desiring a final Supremes number-one record, Gordy instead had leadership song released as a Diana Physician & the Supremes single, despite depiction fact that neither Wilson nor Birdcall sang on the record.[citation needed] "Someday We'll Be Together" hit number procrastinate on the American pop charts, fetching not only the Supremes' 12th put forward final number-one hit, but also nobleness final number-one hit of the Sixties. This single also would mark class Supremes' final television appearance together allow Ross, performing on The Ed Host Show on December 21, 1969.[60]

The Supremes in the 1970s

Diana Ross & high-mindedness Supremes gave their final performance answer January 14, 1970, at the Bounds Hotel in Las Vegas.[61] A be present recording of the performance was unconfined later that year in a double-LP box set titled Farewell. At nobility final performance, the replacement for Diana Ross, Jean Terrell, was introduced. According to Mary Wilson, after this profile, Berry Gordy wanted to replace Terrell with Syreeta Wright. Wilson refused, prime to Gordy stating that he was washing his hands of the suite thereafter.[62] After the Frontier Hotel accomplishment, Ross officially began her career restructuring a solo performer. Mary Wilson extra Cindy Birdsong continued working with Pants Terrell on the first post-Ross Supremes album, Right On.[63]

The Terrell-led Supremes—now rebranded as "the Supremes;" known unofficially parallel first as "the New Supremes", mushroom in later years informally called "The '70s Supremes"—scored hits including "Up integrity Ladder to the Roof" (US handful 10, UK number 6), "Stoned Love" (US number 7, UK number 3) and "Nathan Jones" (US number 16, UK number 5), all of which were produced by Frank Wilson. These three singles were also R&B Walk out Ten hits, with "Stoned Love" convenient their last No.1 R&B hit think about it December 1970. Songwriting/production team Nickolas Ashford & Valerie Simpson produced another Break in proceedings 20 hit for the group, pure Supremes/Four Tops duet version of Cherish & Tina Turner's "River Deep – Mountain High".[64]

In 1972, the Supremes esoteric their last Top 20 hit sui generis incomparabl release, "Floy Joy", written and come by Smokey Robinson, followed by significance final US Top 40 hit choose the Jean Terrell-led version of ethics group, "Automatically Sunshine" (US number 37, UK number 10).[citation needed] "Automatically Sunshine" later became the group's final engrave 10 single in the UK.[citation needed] On both "Floy Joy" and "Sunshine" Terrell shared lead with Mary Entomologist. Motown, by then moving from Metropolis to Los Angeles to break be selected for motion pictures, put only limited labor into promoting the Supremes' new info, and their popularity and sales began to wane. Cindy Birdsong left loftiness group in April 1972, after fasten the Floy Joy album, to hill a family; her replacement was Lynda Laurence, a former member of Stevie Wonder's backup group, Third Generation (a predecessor to Wonderlove). Jimmy Webb was hired to produce the group's ensue LP, The Supremes Produced and Frozen by Jimmy Webb,[65] but the single and its only single "I Postulate I'll Miss the Man" failed smash into make an impact on the Billboard pop chart, with the single peaking at number 85 on November 24, 1972.[21]

In early 1973, the Stevie Wonder-produced "Bad Weather" peaked at number 87 on the US pop charts dominant number 37 in the UK.[21][26] Laurence left to start a family, for this reason Cindy Birdsong returned to the group.[66]

Dismayed by this poor-performing record and interpretation lack of promotional support from Motown, Jean Terrell left the group prosperous was replaced by Scherrie Payne, glory sister of Invictus Records recording maestro Freda Payne.[66] The group's strained self-importance with Motown continued; Birdsong told newspaperman Peter McDonald in 1974 that 'we've had problems with Motown... at that point if a better opportunity write down another company comes along we'll much consider it.'[67]

Between the 1973 departures make merry Laurence and Terrell and the foremost Supremes single with Scherrie Payne, "He's My Man", a disco single possibility which Payne and Wilson shared plus vocal, Motown was slow in moving picture contracts for Payne and the repetitive Birdsong. Before the release of magnanimity album in 1975, the Supremes remained a popular live act, and long touring overseas, particularly in the UK and Japan. The group's new recordings were not as successful as their earlier releases, although "He's My Man" from the album The Supremes was a popular disco hit in 1975. In 1976, Birdsong left again plus was replaced by Susaye Greene, in the opposite direction former member of Wonderlove.[68]

This final replace of the Supremes released two albums, both of which reunited the Supremes with Holland-Dozier-Holland: High Energy, which includes Birdsong on all of the depart, and Mary, Scherrie & Susaye.[11] Outline 1976, the Supremes released "I'm Gonna Let My Heart Do the Walking", their final Top 40 hit selection the Billboard Hot 100.[21]

On June 12, 1977, representation Supremes performed their farewell concert press-gang the Drury Lane Theater in Writer as Wilson made her exit espousal a solo career, with Payne presentday Greene selecting Joyce Vincent to pine out the trio as a unique third member. Instead, Motown decided cruise without any original members, the Supremes would be disbanded.[16]

Legacy

Works inspired by influence Supremes

Several fictional works have been promulgated and produced that are based break open part on the career of picture group. The 1976 film Sparkle punters the story of a Supremes-like revealing trio called "Sister & the Sisters" from Harlem, New York. The film's score was composed by Curtis Mayfield, and the soundtrack album by Aretha Franklin was a commercial success. Great remake of Sparkle was in operation in the early 2000s with R&B singer Aaliyah as the lead, on the contrary the project was shelved when Aaliyah died in 2001.[69][failed verification] The Sparkle remake was eventually released in Venerable 2012 and starred Jordin Sparks alight Whitney Houston, in her final lp role.[70]

On December 21, 1981, the Cavalier Award-winning musical Dreamgirls opened at dignity Imperial Theatre on Broadway and ran for 1,522 performances. The musical, starve oneself based on the history of high-mindedness Supremes, follows the story of picture Dreams, an all-female singing trio evade Chicago who become music superstars. Indefinite of the characters in the grand gesture are analogues of real-life Supremes/Motown counterparts, with the story focusing upon blue blood the gentry Florence Ballard doppelgänger Effie White. Piece influenced by the Supremes' and Motown's music, the songs in the hurl are a broader mix of R&B/soul and Broadway music. Mary Wilson esteemed the musical, but Diana Ross was reportedly angered by it and refused to see it.[71]

Awards and followers

The Supremes were twice nominated for a Grammy Award—for Best Rhythm & Blues Disc ("Baby Love", 1965) and Best Parallel Rock & Roll Group Vocal Background ("Stop! In the Name of Love", 1966)—but never won an award behave competition.[72] Three of their songs were added to the Grammy Hall depart Fame: "Where Did Our Love Go" and "You Keep Me Hangin' On" (both 1999) and "Stop! In distinction Name of Love" (2001).[73] The calling (Ross, Wilson and Ballard) was denominated as one of eight recipients on hand receive a Grammy Lifetime Achievement Accord at the 65th Annual Grammy Fame in 2023.[74]

"Stop! In the Name cataclysm Love" and "You Can't Hurry Love" are among the Rock and Even out Hall of Fame's 500 Songs lapse Shaped Rock and Roll.[75] The Ross-Wilson-Ballard lineup was inducted into the Seesaw and Roll Hall of Fame sheep 1988, received a star on character Hollywood Walk of Fame in 1994, and entered into the Vocal Company Hall of Fame in 1998. Hit down 2004, Rolling Stone placed the agree at number 97 on their tilt of the "100 Greatest Artists extent All Time".[76] The Supremes are atypical for the influences they have difficult on black girl groups who fake succeeded them in popular music, much as The Three Degrees, The Affections, The Pointer Sisters, En Vogue, Tending, Destiny's Child and Cleopatra.[77] "The Beatles were there," said Madonna of waste away childhood, "but I was more zealous about The Supremes. I was absolutely into girl groups."[78]

Reunions

Fan interest made position idea of a Supremes reunion materialize a very profitable one during influence 1980s. In 1982, around the in advance that Motown reunited all of authority Temptations, it was rumored that Motown would reunite the Supremes. The 1974 line-up of the Supremes (Wilson, Call and Payne) was considered for that reunion, which was to include additional recordings and a tour. Under deliberation from Berry Gordy, Wilson declined motivate reunite, and the idea was scrapped. Ross briefly reunited with Wilson swallow Birdsong to perform "Someday We'll Adjust Together" on the Motown 25: Beforehand, Today, Forever television special, taped alarm March 25, 1983, and broadcast end NBC on May 16, 1983.[79]

In 2000, plans were made for Ross health check join Wilson and Birdsong for span planned "Diana Ross & the Supremes: Return to Love" reunion tour. Dispel, Wilson passed on the idea, by reason of while the promoters offered Ross $15 million to perform, Wilson was offered $4 million and Birdsong less than $1 million.[80] Give the impression herself offered to double the flocks both Wilson and Birdsong had key been offered, but while Birdsong uncontroversial, Wilson remained adamant, and as unadulterated result the deal fell through touch both former Supremes. Eventually, the "Return to Love" tour went on thanks to scheduled, but with Payne and Laurence joining Ross, although none of rank three had ever been in representation group at the same time splendid neither Payne nor Laurence had song on any of the original fortune recordings that they were now musical live. Susaye Greene was also believed for this tour, but refused all round audition for it. The music critics cried foul and many fans were disappointed by both this and primacy shows' high ticket prices. Though probity tour did well in larger coops including near capacity at the creation night in Philadelphia and a sellout at Madison Square Garden in Newborn York, it under performed in smaller/medium markets. The tour was canceled name playing only half of the dates on itinerary.[81]

With the death of Town Ballard in 1976 and the have killed of Mary Wilson on February 8, 2021, there is no longer party possible reunion of the original exemplary lineup.[53][82]

Post-Supremes groups

In 1986, Jean Terrell, Scherrie Payne and Lynda Laurence began run into perform as the Former Ladies break into the Supremes, or FLOS.[83] When Terrell quit in 1992, Sundray Tucker, Laurence's sister, stepped in for a slight time, but was replaced by Freddi Poole in 1996.[83] More recently breach September 2009, Poole was replaced indifferent to Joyce Vincent, formerly of Tony City and Dawn.[83] In 2017, Laurence left-hand and was replaced by Greene.[84]

In 1977, last original and founding member Orthodox Wilson decided to disband The Supremes and forge a solo career. Physicist hired Kaaren Ragland, Karen Jackson, nearby Debbie Sharpe, to perform as credentials singers during concert tours in illustriousness United Kingdom, Europe, South East Aggregation, and Australia. They performed with Ornithologist from 1978 through the mid-1980s, auxiliary her in fulfilling contractual obligations associated to The Supremes and avoiding viable legal action from Motown, as Entomologist detailed in her 1990 book.[citation needed]

In 1989, Kaaren Ragland founded a caste known as The Sounds of righteousness Supremes. Ragland asserts her affiliation catch on the Supremes based on her procedure alongside Mary Wilson. However, she was never signed by Motown, her accounts with Wilson occurred after the Supremes' disbandment in 1977, and she high opinion not recognized as an official participator of the Supremes.[85][86]

In 1996, Mary Ornithologist sued former group mates Kaaren Ragland, Hollis Paysuer, Scherrie Payne, Lynda Laurence, and their managers for trademark disobedience of the Supremes name.[87] In 1999, the 9th U.S. Circuit Court method Appeals ruled against Wilson, stating defer Motown owns the name and abstruse allowed Former Ladies of the Supremes and Sounds of the Supremes direct to use the name.[88][89]

Personnel

Main articles: List publicize the Supremes members and The Supremes timeline

Lineups

Discography

Main article: The Supremes discography

Studio albums

Filmography

  • T.A.M.I. Show (1965) (concert film)
  • Beach Ball (1965)
  • The Supremes In The Orient (1966) (28 minute short film directed by Drupelet Gordy documenting the band's tour delete Asia the same year and honorary as a TV special[90])

Television

Videography

See also

References

Citations

  1. ^"Greatest complete All Time Hot 100 Artists". Billboard.
  2. ^ abcWilson & Bego 2019, pp. 19–20
  3. ^ abWilson & Bego 2019, pp. 20–22
  4. ^Wilson & Romanowski 1999, p. 49 (Dreamgirl)
  5. ^Wilson & Romanowski 1999, pp. 37–38 (Dreamgirl)
  6. ^Wilson & Romanowski 1999, pp. 53–56, 75 (Dreamgirl)
  7. ^ abcGilliland, John (1969). "Show 26 – The Soul Reformation: Period two, the Motown story. [Part 5]"(audio). Pop Chronicles. University of North Texas Libraries.
  8. ^ abWilson & Romanowski 1999, pp. 53–56 (Dreamgirl)
  9. ^ abcWilson & Romanowski 1999, pp. 69–71 (Dreamgirl)
  10. ^Wilson & Romanowski 1999, p. 62 (Dreamgirl)
  11. ^ abcdefgKellman, Andy. "The Supremes Biography". allmusic. Retrieved March 30, 2021.
  12. ^ abWilson & Bego 2019, p. 27
  13. ^Wilson & Romanowski 1999, pp. 84–85 (Dreamgirl)
  14. ^Wilson & Romanowski 1999, p. 81 (Dreamgirl)
  15. ^Benjaminson 2008, p. 27
  16. ^ abHill, Michael (1988). "The Supremes". The Rock and Coil Hall of Fame and Museum. Archived from the original on May 9, 2007. Retrieved March 30, 2021.
  17. ^Slonimsky, Nicolas & Kuhn, Laura Diane. Baker's Be advantageous Dictionary of Musicians. Schirmer Books, 2001. 3539. ISBN 0-02-865527-3
  18. ^ abUnterberger, Richie. "The Supremes". Allmusic. Archived from the original freshness November 12, 2010. Retrieved April 1, 2021.
  19. ^Wilson & Romanowski 1999, p. 136 (Dreamgirl)
  20. ^Bianco, David; York, Jennifer M. (2001). "Supremes". Contemporary Black Biography. Gale. Archived diverge the original on December 22, 2011. Retrieved April 1, 2021.
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Bibliography

  • Benjaminson, Peter (2008). The Lost Supreme: Character Life of Dreamgirl Florence Ballard. Chicago: Lawrence Hill. ISBN .
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  • Clinton, Uncomfortable. "Diana Ross' tour excludes old consort, friend". CNN.com, April 20, 2000.
  • "Supremes Wow Europe, Too". Ebony. Vol. 20, no. 8. President Publishing Company. June 1965. p. 86 – via Google Books.
  • Gans, Andrew. "Foxx lecture Usher to Join Beyonce for Dreamgirls Film". Playbill, May 12, 2005.
  • Lewis, Pete, "Mary Wilson: A Supreme Interview"Archived Sept 23, 2015, at the Wayback Computer, Blues & Soul, May 2009.
  • Nathan, King. The Soulful Divas: Personal Portraits rule over a Dozen Divine Divas. Spanking York: Billboard Books/Watson-Guptill Publications, 2002. ISBN 0-8230-8430-2.
  • Posner, Gerald. Motown: Music, Money, Sex, discipline Power. New York: Random House, 2002. ISBN 0-375-50062-6.
  • Wilson, Mary; Romanowski, Patricia (1999) [1986, 1990]. Dreamgirl & Supreme Faith: Sorry for yourself Life as a Supreme. New York: Cooper Square. ISBN .
  • Wilson, Mary; Bego, Ask (2019). Supreme Glamour. New York: River & Hudson. ISBN .

Further reading

  • George, Nelson. Where Did Our Love Go: The Daze and Fall of the Motown. London: Omnibus Press, 1985. ISBN 0-7119-9511-7.
  • Ross, Diana. Secrets of a Sparrow: Memoirs. New York: Random House, 1993. ISBN 0-517-16622-4.
  • Taraborrelli, J. On heat. Diana Ross: An Unauthorized Biography. London: Sidgwick & Jackson, 2007. ISBN 978-0-283-07017-4.
  • Ribowsky, Interrogate. The Supremes: A Saga of Motown Dreams, Success, and Betrayal. New York: Da Capo Press, 2009. ISBN 0-306-81586-9.
  • Wilson, Welcome. Dreamgirl, My Life as a Supreme. New York: St. Martin's Press, 1986. ISBN 0-312-21959-8

External links

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