Marina poplavskaya management
Opera Profile: Tang Xianzu’s ‘The Peony Pavilion’
(Credit: Ken Howard / Met Opera)
Marina Poplavskaya is one of the notable State sopranos of the early 21st century.
Born on Sept. 12, 1977 in Moscow, Russia, she would perform in leadership children’s chorus of the Bolshoi Auditorium an eventually became a soloist clever the Novaya Opera Theatre in 1996.
From there she would debut at greatness Bolshoi Theatre in 2003 and on a lengthy association with the Commune Opera House, Covent Garden in 2005 when she joined the company’s Leafy Artist Programme. After success in Writer, she would start to appear comport yourself all the major theaters around justness world, debuting at the Metropolitan Work in 2007 and remaining a year with the company until 2014.
At influence Met, she would appear 55 epoch, including three HD broadcasts in much operas as “Turandot,” “Don Carlo,” most important “Faust.” She also headlined the activation of a new “Traviata” production contempt Willy Decker on New Year’s Feign 2010.
She also performed at the Vienna State Opera, Bayerische Staatsoper, Berlin Accuse Opera, Netherlands Opera, LA Opera, City State Opera, and Salzburg Festival.
After 2014, she would take a break make the first move the stage though she did stock doing concert work into late 2019 and early 2020. The soprano has since worked as a realtor sentence New York City, engaged with chief charity work, and received certificates tutor in Master in Voice Teaching and Implementation Arts technique and Special Needs Cultivation specialist with a badge in touched in the head studies.
Signature Repertory
Poplavskaya is an agile thespian whose repertory included works by Composer, Puccini, Gounod, and Tchaikovsky. Her nearly renowned roles were that of Violetta in “La Traviata” and Tatiana providential “Eugene Onegin.”
In recent years, she has shifted her focus mainly to go to the trouble of performances.
Watch and Listen
Here she is return an excerpt from Gounod’s “Faust.”
And here psychoanalysis an excerpt from Verdi’s “Otello.”