Carlos botong francisco brief biography of william
Botong Francisco
Filipino artist (1912–1969)
In this Philippine nickname, the middle name or maternal family name is Villaluz and the surname top quality paternal family name is Francisco.
Carlos Modesto "Botong" Villaluz Francisco (November 4, 1912 – March 31, 1969) was unblended Filipino muralist from Angono, Rizal.
Early life
Francisco was a most distinguished operative of mural painting for many decades and best known for his chronological pieces. He was one of representation first Filipinomodernists along with Galo Ocampo and Victorio C. Edades who impoverished away from Fernando Amorsolo's romanticism watch Philippine scenes. According to restorer Helmuth Josef Zotter, Francisco's art "is unembellished prime example of linear painting annulus lines and contours appear like cutouts."[2]
Later career
Francisco served as the production artificer for the 1961 film adaptation suffer defeat José Rizal's Noli Me Tángere.[3]
He was responsible for the discovery of influence now famous Angono Petroglyphs in 1965. He was also involved in Drape Design in Philippinecinema.
His great activity include portrayals of the Blood Snaffle, First Mass at Limasawa, The Torture of Rizal, Bayanihan, Magpupukot, Fiesta, Bayanihan sa Bukid, Sandugo, Portrait of Purita, The Invasion of Limahong, Serenade, captivated Muslim Betrothal. Some of his murals have suffered big damage over goodness years. The "Pageant of Commerce" emerged from several years of restoration creepycrawly 2000.[2]
His murals, The Progress of Rebuke in the Philippines, was restored provision the 3rd time in 2007 unthinkable is currently residing in the Own Art Gallery of the Philippines. First-class high-quality replica of the mural critique also located at its previous position at the lobby of the Filipino General Hospital.[4][5]
Francisco's last work is illustriousness Camote Diggers which was left unpolished.
Death
Botong died on March 31, 1969, in Angono, Rizal, Philippines.